Andrew Lusk (1853 – 1927)

Figure 1. Andrew Lusk National Archives of Scotland, (NAS) GD501

                                                                

Paintings Donated:     

Figure 2. Barmouth, John Wright Oakes, ARA (1820 – 1887)(Accession Number 1732) © CSG GIC Glasgow Museums Collection. (Art UK).

Figure 3. St. Ives Bay, John Brett, ARA (1831 – 1902) (1733) Exhibited RA 1881© CSG GIC Glasgow Museums Collection./ArtUK

Fig. 4  A Dutch Mill, Clarkson Frederick Stanfield, RA (1793 – 1867) (1734)
© CSG GIC Glasgow Museums Collection/ArtUK

Figure 5. Castle Campbell, near Dollar, Richard Beavis (1824 – 1896) (2239) Exhibited RA 1896. © CSG GIC Glasgow Museums Collection                

                 

( Barmouth, St. Ives Bay and A Dutch Mill, were received in February 1928 from Andrew Lusk`s executor. Castle Campbell near Dollar was given by his niece Mrs. Berkeley Robertson, nee. Janet Lusk on 29 August 1941. However, the catalogue entry at Glasgow Museums Resource Centre for this painting has a note added ‘to be described as presented by the late Andrew Lusk, Windsor, 1941’).

Andrew Lusk was born at ‘Lusk`s Cottage’, Coatbridge, Lanarkshire on 3 June 1853. 2 He was the son of James Lusk, a master baker and his wife Janet Reid. (James was born in Colmonell, Ayrshire in 1817. Janet was born in Cambuslang also in 1817). 3 There were two other children, John Lusk, born 14 July 1848 (the father of Janet Lusk) and Margaret Earl Lusk, born 3 March 1851.4 All were at Lusk`s Cottage in the 1861 Census along with two servants. Andrew`s father employed two men and forty-three boys. 5 The family is listed in Armorial Families 6. (Appendix 1)

Figure 6. James Lusk.  National Archives of Scotland, (NAS) GD501

 

 Figure 7. Janet Reid. National Archives of Scotland, (NAS) GD501

Andrew attended Glasgow High School in the 1860s and seems to have had an interest in and an aptitude for art from an early age which was further developed while at school. 7

            From the 1871 census, Andrew, aged 17, was living with his parents, brother and sister at Glasgow Road, Bothwell. He was employed as a clerk. 8 By 1881 his siblings had both married and he had moved with his parents to Hamilton Road, Ferniebank, Bothwell. He was now aged 27 and a ‘commercial clerk in the iron trade’. 9 Sometime after that he moved to England. His father died in 1890 and Andrew was one of his executors. His address then was 3 Fenchurch Avenue, London. The 1891 census found him, aged 37 and single, at The Dell, Woking in Surrey. (The Dell was one of the larger houses in Woking but has since been demolished 10). He was now an ‘iron and steel merchant’ and employed two servants. 11 Woking would seem an unlikely place to find an iron and steel merchant. However, the town had an excellent train service to London so Andrew could have commuted to his business in the city.

      It is possible that his career as a steel merchant came about after his brother John married, in 1876, Jessie, the daughter of David Colville, the founder of the Colville steel firm. 12 An account of his assets after his death showed that Andrew was receiving a pension from Colvilles. 13

     By the time of the 1901 Census, Andrew had moved to 7 Queen`s Gardens, Osborne Road, New Windsor. 14 He later named the house St. Moritz after a holiday in Switzerland in 1909.

     Andrew’s uncle Sir Andrew Lusk who was Lord Mayor of London in 1874 and head of the firm of Andrew Lusk and Co. died in 1909. His funeral took place at St. John’s Church, Southwick Crescent, London on 24 June 1909. Andrew was in attendance as one of the ‘chief mourners’. 15 Andrew later wrote a memoir of his uncle which is held in the National Archives of Scotland. Dame Eliza Lusk, widow of Sir Andrew, died the following year. Andrew was an executor of her will and was left the sum of £1000.

     In the 1911 census, Andrew was at the Regent Hotel, Leamington Spa, 16 presumably on holiday because by this time his residence was in Windsor, Berkshire.  He also owned a house Roseisle in Glasgow Road, Perth. This was occupied by his sister Margaret and her husband Alexander Sutherland who was a local minister. After Andrew`s death, the house was to have been left to Margaret during her lifetime. However, she predeceased him. His mother Janet who was living on private means moved in with her daughter after the death of her husband in 1890. She died at Roseisle in 1899 and Andrew was present to register her death. 17

        In 1915 an appeal was made for subscribers to ‘extinguish the debt incurred by the King Edward VII Hospital in Windsor’. Andrew donated fifteen guineas and a further twenty the following year 18.

            Andrew had a great interest in art, music and books. In his house in Windsor he had a collection of paintings, sculpture and many fine editions of books. These were to be kept in the family after his death as ‘I cannot bear the thought of my Fine Editions being handled by careless young people’. He owned a library of music manuscripts which was left to his nephew the Rev. David Colville Lusk who sold it to St. Andrew`s University in 1952.19 He also owned a violin and piano which he may have played. His intention, according to his will was that his paintings be given to the National Gallery in Edinburgh. Were the National Gallery to refuse them, they were then to be offered to Glasgow and to Perth. In the event, Glasgow received four paintings as detailed above. The Sandeman Library in Perth was given five pictures, five marble busts and three pedestals (Appendix 2). The Royal Scottish Academy was given a tea urn believed to have belonged to Sir Henry Raeburn 20. In his will he left £100 to his former housekeeper. After his death she wrote to his executor thanking him for the legacy and stating that as Mr. Lusk`s housekeeper, she ‘had spent many happy years in his service’. (As well as a detailed will, he left a four-page document of ‘Testator’s Suggestions to his Executors’ on how to dispose of his assets e.g. who should be employed to sell his furniture and books and where to find various items mentioned in his will. He also suggested the best firm to pack up his pictures for donation). 21 

            He also left a painting by Fred Roe ARA, The Landing of Nelson at Yarmouth to the Castle Museum at Yarmouth. (This painting had been exhibited at the Royal Academy in 1909). His own sketches – views of Rome, Florence, Holland, Sweden etc. were to be kept in the family ‘if at all possible’.

                        Andrew Lusk never married and died at his home in Windsor on 12 October 1927. It is likely he had been ill for some time as illness prevented him attending the funeral of his sister who died in Perth the previous year.22 He was buried in a lair in St. Andrew`s Cathedral Churchyard, Fife which he had purchased in 1899.23   His will contained instructions for the design of his tombstone! It was to be ‘in the same style and colour as Lord Playfair`s close by’! According to his will which was probated in Edinburgh his personal estate was valued at £25, 190. 5s. 8p. The Scotsman reported that he ‘left £100 to the Royal Society of Musicians, and £300 to the United Free Church of Scotland Foreign Missions, in memory of his mother Janet Lusk’ and gave details of his donation of paintings to Edinburgh and Glasgow. 24  The Motherwell Times also carried a report of his estate and noted that he was a director of David Colville and Sons, Ltd., steel manufacturers. 25

       The following are two extracts from the Minutes of the Corporation of Glasgow, sub-committee on Art Galleries and Museums:

23 December 1927:  The Superintendant reported that he had received a letter from Messrs. Gard, Lyell and Co., London, Law Agents for the trust estate of the late Andrew Lusk, St. Moritz, Windsor, intimating that the deceased under his will, had bequeathed to the National Gallery, Edinburgh, certain pictures, and that six of these pictures specified in said letter might, if desired, be available for the Corporation of Glasgow. The sub-committee, after consideration, agreed that it be remitted to Depute River Baillie Doherty and Councillor Drummond, along with the Superintendant, to inspect the pictures, and with power to accept the same on behalf of the Corporation.

2 March 1928: With reference to the minute, of date 23rd December last, Depute River Baillie Doherty and Councillor Drummond, under remit to them, along with the Superintendant, reported that they had inspected the collection of pictures belonging to the Trust Estate of the late Andrew Lusk, St. Moritz, Windsor, and had agreed to recommend acceptance of the following works of art, viz.

  1. Barmouth  – J. W. Oakes, A.R.A.
  2. St. Ives Bay – John Brett, A.R.A. and
  3. The Windmill – Clarkson Stanfield, R.A. 26

Because Andrew Lusk had insisted in his will that his paintings should be hung tastefully and together with the appellation ‘from the bequest of Andrew Lusk, Windsor’, his executor went to great lengths to see that this was carried out. There are three letters relating to the placement of the pictures given to Glasgow in the NAS file.

      In his ‘Testator’s Suggestions to his Executors’ he stated that ‘I wish particularly that my other pictures apart from those mentioned in my will be kept in the family (the Greenock cousins excluded!!) or given to friends who would appreciate them rather than sold to dealers for whom I have a great objection’.

A portrait of Lady Sawyer by Sir Hubert Herkomer RA was left to his nephew and executor David Colville Lusk. Heidelberg on the Rhine by J. B. Pyne probably went to his niece Jenny Robertson. Another picture Old Mortality had been entrusted to him by his aunt Dame Eliza Lusk in her will but was in fact the property of his brother.

References.

  1.  National Archives of Scotland, (NAS) GD501 (This is an extensive collection of Lusk family papers and photographs. It contains a book of Andrew`s paintings completed while still at school. The donor`s address was Dunblane, Perthshire). Other family photographs (Figs. 6 and 7) taken from the same source,
  2. Scotland, Lanarkshire Church Records, 1823 – 1967, FamilySearch (https://www.familysearch.org/ark:/61903/1:1:66K6-5M6X : 2 February 2022)
  3. Ibid
  4. ibid
  5. Scotland’s People, 1861 Census
  6. Fox-Davis, Arthur Charles, Armorial Families – A Directory of Gentlemen of Coat-Armour, two vols., Edinburgh, T.C. and E.C. Jack, 1905.
  7. Scotland`s People, 1871 Census
  8. Scotland’s People, 1881 Census
  9. Woking History Society, Sue Jones, by e-mail
  10. ancestry.co.uk, England Census, 1891
  11. Scotland’s People, Marriages
  12. NAS, GD501
  13. Ancestry.co.uk, England Census, 1901
  14. The Times, 25 June 1909
  15. Ancestry.co.uk, England Census, 1911
  16. Scotland’s People, Death Certificate
  17. Slough, Eton and Windsor Observer, 17 and 24 July 1915, p. 4 and 19 May 1916, p1.
  18. NAS, GD501
  19. ibid
  20. ibid
  21. Perthshire Advertiser, 6 November 1926.
  22. NAS, GD501
  23. The Scotsman, 3 March 1928, p14.
  24. Motherwell Times, 10 October 1928, p5.
  25. Corporation of Glasgow, Minutes, 1928, C1/3/78 pp. 516 and 987.

Appendix 1: From Armorial Families.

Sons of James Lusk of Feam Bank(sic), Lanarksh., (5. 1817 ; d. 1890; m. 1846, Janet, d. of Andrew Reid of Hamilton, Cambuslang : — 
John Lusk, Gentleman [Arms as above, and (matric. 30 May 1903) a bordure silver. Crest — An ancient ship as in the arms, but without the rainbow as above], b. 14 July 1848 ; m. 10 Aug. 1876, Jessie, d. of David Colville ; and has issue — (i) James Lusk, Gentleman, b. 19 Sept. 1878 (2) David Colville Lusk, Gentleman, b. 19 Nov. i88i 
and Janet. Res. — South Dean, Merchiston, Edinburgh ..Coulter House, Lanarkshire. 
Andrew Lusk, Gentleman, b. 3 June 1853. Res. — St. Moritz, Windsor. 

Appendix 2

 Donations to the Sandeman Library, Perth (Now Perth Museum).

  1. Trebarwith Strand, Cornwall, Edwin John Ellis, R.I. (1848 – 1916)
  2. Dover Cliffs, Edwin John Ellis, R.I.
  3. Cattle and Trees (original title), now Landscape with Cattle, William Shayer, sen.
  4. Windsor Castle from Snowhill (original title), now Windsor Castle from Windsor Great Park, Charles Edward Johnson, R.I. (Exhibited at RA, 1895)
  5. General Gabriel Gordon, (1763 – 1855), Sir John Watson Gordon, P.R.S.A. (1788 – 1864)
  6. Marble Busts of: Sir Walter Scott, with pedestal

                            Milton

                           Diana, with pedestal

                           Dido, with pedestal

                           Demosthenes.

Further Information about these:

  1. There is a picture in Perth Art Gallery by Edwin John Ellis entitled Fishing Boats on a Beach. Could this be the same picture? It has reference FA76/78 and acquisition method is ‘unknown’.
  2. In Perth Art Gallery, ref. FA99/78. ‘Unknown acquisition method’.
  3. In Perth Art Gallery, ref. FA59/78. ‘Unknown acquisition method’.
  4. In Perth Art Gallery, ref. FA101/78. ‘Bequeathed by Andrew Lusk, 1951’.
  5. In Perth Art Gallery, ref. FA92/78. ‘Bequeathed by Andrew Lusk, 1951’.

A receipt for five pictures, five busts and three pedestals was received by D.C. Lusk on 5 December 1927 from the Sandeman Library, Perth.

Sir Daniel Macauley Stevenson

Donor: Sir Daniel Macauley Stevenson

Painting: Princess Theresa  Benedikta Maria of Bavaria. (2452)

From the studio of Georg Desmarees

In the Glasgow Corporation minutes of 1944 (1) this painting  is listed as a portrait of Clementina Sobieska by Largilliere. It is now believed that the subject is Theresa Benedikta Maria, a princess of Bavaria, and it is now attributed to the studio of George Desmarees. (2)

Desmarees, George, 1697-1776; Princess Theresia Benedikta Maria of Bavaria (1725-1743)
Princess Theresa Benedikta Maria of Bavaria (1725-1743) Glasgow Museums Resource Centre © CSG GIC Glasgow Museums Collection.

Princess Theresa Benedikta Maria was the third child of Charles, Elector of Bavaria and Holy Roman Emperor. Theresa Benedikta Maria died at the age of 17 in 1743.

There is a Sobieski connection. The grandmother of the princess was a Sobieska, the daughter of King John III of Poland. The princess therefore had a familial connection with Clementina Sobieska. The portrait below of Clementina Sobieska gives an opportunity to compare the two women to see if there is any family resemblance. It may also help to explain why the initial confusion about the naming of the subject of the painting arose.

(c) Blairs Museum; Supplied by The Public Catalogue Foundation
Princess Maria Clementina Sobieska (1702 – 1735). Wife of Prince James Frances Edward Stuart. Martin van Meytens (1695-1770). Reproduced by permission of The Blairs Museum Trust.

The donor of the painting of Princess Theresa Benedikta Maria was Sir Daniel M. Stevenson, Bart. The painting was bequeathed to him by his brother John, an entrepreneur who lived and worked in Pennsylvania.

Daniel Stevenson was an astute businessman, an iron and coal exporter. As well as his business interests, Stevenson was a formidable local politician who helped make governance in Glasgow a model for other cities across the world.

Anderson, James Bell, 1886-1938; Sir Daniel Macaulay Stevenson (1851-1944), Lord Provost of Glasgow (1911-1914)
Sir Daniel Macaulay Stevenson (1851 -1944). Lord Provost of Glasgow 1911 – 1914 James Bell Anderson (1886–1938). Glasgow Museums Resource Centre (GMRC) © CSG GIC Glasgow Museums Collection.

Daniel Macaulay Stevenson came from a notable family. His grandfather was Dan Macaulay who edited “The Liberator” and “The Free Trade Advocate” and was a noted social and political reformer. Born and raised in a tenement in Hutchesontown, his father was John Stevenson, an engineer, who was also committed to social improvement for the poor. One of his brothers was Robert Macaulay Stevenson, one of the Glasgow Boys. (3)

Daniel Stevenson was educated at the Glasgow Secular School. He left school at sixteen and served an apprenticeship with a city Shipbroking firm. In 1879 he set up his own business, exporting coal, and became the largest coal and iron exporter in Scotland. (4)

By all accounts, Daniel Stevenson was a successful businessman. But he was much more than that. He became a very significant local politician, serving as Lord Provost of Glasgow between 1911 and 1914. He represented the Woodside ward between 1892 and 1914. Sir Daniel was a Liberal with a strong belief in communal solutions to social problems. (5)

What were Stevenson’s political achievements? Museums and Art Galleries which open on Sunday  – the cartoon below shows Stevenson trying to force open the door of the People’s Palace on a Sunday, a testament not only to his vision for the Museums’ services, but also to his determination to ensure that his policies would be implemented even in the face of opposition.

baillie cartoon
The Baillie Cartoon Supplement: 22 December 1897, The Mitchell Library.

Other innovations overseen by Stevenson included: Corporation libraries, municipalisation of transport, telephone systems, licensing laws, gas and electricity and improved procedures and financial structures within the Corporation. Stevenson was a dedicated advocate of “Municipal Socialism”. He was a founder in 1889 of the Glasgow Social Union and a promoter of the Glasgow Workmen’s Dwellings Company, which aimed to provide decent housing for the  working class, with affordable rents. Stevenson believed that a society which took care of everyone was a stronger, more stable society. (6)

Sir Daniel Stevenson was also involved in promoting the Scottish Labour Colony Union. This was an organisation which aimed to provide work for those who had lost their jobs until they could find new ones and which, for the Glasgow branch, provided farm work in Dumfriesshire. The movement’s aim was to help those who were willing to help themselves. Today, this type of support for the unemployed has fallen out of favour, categorised as punishing the unemployed, but the movement had wide support in Stevenson’s time, including from the Salvation Army and Beatrice and Sydney Webb, the founders of the Fabian Society. (7)

Daniel M Stevenson, with other notable Liberals, presided over a period of municipal development in Glasgow which was the envy of many, including American politicians, who were particularly interested in how Glasgow was governed and the success of its municipalisation. They liked the model of the businessman politician, closely rooted in his local community, someone who knew what it was like in the working world and understood business concerns, but they were also drawn to the community element of the governance. Everyone was being catered for, rich and poor alike. Community cohesion was seen as critical. Other cities had similar models, but Glasgow’s was seen by many to outstrip the rest. (8)

Eventually the tide turned against Liberal socialism. The First World War, to which Sir Daniel was vehemently opposed, stating that “he would have preferred the Clyde to resound to the building of Merchant ships rather than the construction of warships” (Glasgow Vol II p.6.),  brought with its ending a new wave of socialism across Europe. Sir Daniel retired from local politics in 1914, but maintained his commitment to his community throughout the next thirty years.

He was a founding father of the Scottish National Academy of Music  which became the  Royal Scottish Academy of Music and Drama, which is now the Royal Conservatoire of Scotland. Stevenson’s sister was a talented musician but was unable to complete her musical education in Scotland due to lack of facilities. She went to study in Hamburg and eventually married there, her husband becoming the Mayor of Hamburg. (9) Stevenson also stated in a letter that he wanted to establish a music school so that students from the  Highlands and Island of Scotland could have access to musical education. (10) The Stevenson Hall at the Conservatoire was named in recognition of his generosity and effort in the establishment of the school. He endowed chairs of Italian and Spanish at Glasgow University and also exchange scholarships for Spanish, French and German studies. He established a citizenship fund at the University. He eventually became Chancellor of the University from 1934 -1945. He established chairs at Liverpool and London University. (11)

Sir Daniel was a noted Europhile and spoke a number of European languages. Although he opposed the First World War, he helped to organise an Ambulance Brigade during the Spanish Civil War.  He also received many awards from European Countries – Italy, Spain, Belgium and Germany, including the Legion d’honneur from France. (12)

According to the Baillie he was an intellectual, forward thinking man, although it did acknowledge that he was not a great public speaker. He was also a man who was ready to argue for what he believed in. (13) He stood for Parliament once but failed to be elected. It could be argued that Westminster’s loss was Glasgow’s gain.

Although Sir Daniel was a widely travelled man who enjoyed visiting other countries and often admired what he saw there, on receiving the freedom of Glasgow in 1929, he stated that: “One could have no worthier ambition than to be a good and faithful servant of one’s own city.”

There can be no doubt about his contribution to his home city. It is estimated that Sir Daniel gave £400,000 to the city until his death in 1944. In his will he remembered the city also, leaving his estate to the public good. His house at 5 Cleveden Road was left to the Salvation Army for use as a children’s home. His Steinway Grand piano along with all his sheet music and music books were left to the Conservatoire. Other books were left to the Mitchell Library

“Stevenson’s wholly positive outlook and concern to promote community values reflected a strong strand of continuity in Glasgow’s Civic government which had proved remarkably successful in maintaining the city’s integrity between 1833 and 1912” (Portable Utopia)

Sir Daniel died in 1944.

Sir Daniel Macaulay Stevenson (1851–1944), Lord Provost of Glasgow (1911–1914)

  1. Glasgow Corporation Minutes April 1944 – November 1944. !5th August 1944 p.1274
  2. Object file 2452 G.M.R.C
  3. DOLLAN,  P.J. (1944),  Forward  22 July  : Royal Conservatoire of Scotland Archive
  4. theglasgowstory.com: The Glasgow Story 1914 to 1950: Personalities – Sir Daniel Macaulay Stevenson
  5. ASPINWALL,  B. (1984) Portable Utopia: Glasgow and the United States 1820 – 1920 Aberdeen: Aberdeen University Press
  6. glasgowhistory.co.uk/housing/bridgeton and dalmarnock
  7. FIELD, J. (2009) Able Bodies: Work Camps and the Training of the Unemployed in Britain before 1939. Stirling Institute of Education : University of Stirling
  8. MAVER, I; FRASER, W.H. (1996) Glasgow: Volume II 1830 – 1912, Manchester: Manchester University Press
  9. Glasgow Herald 17.7.1944: J. Arnold Fleming
  10. Letter from D.M.Stevenson 4.9.42: Royal Conservatoire of Scotland Archive
  11. The Glasgow Herald: 12th July 1944;13th July 1944; 14 July 1944; 15th July 1944
  12. Glasgow City Council: Freedom of the City Recipients
  13. The Baillie: 18th March 1891; 29th  December 1897; 17th  October 1906; 7th  July 1909; 15th  November 1911; 2nd  October 1912; 17th  June 1914; 20th  January 1921

Other Reading: Who’s Who in Glasgow 1909 pp.198/199