Gilbert James Innes (1888-1971)

  Donor . Gilbert  James   Innes  OBE (1888-1971)

 Figure 1 Sowing the Seed  1913 by William Newenham Montague Orpen1 (1878-1932)       © CSGCIC Glasgow Museums and Libraries Acc 2941

The Painting

This painting , a watercolour, gouache on paper ,appears to be  a study for a larger work Sowing New Seed for the Board Of Agriculture and Technical Instruction In Ireland (see below Figure 2))which was described by one newspaper as ,’a baffling but beautiful piece of imaginative painting’ when it was exhibited at The New English Art Club in December 1913. 2 (See Appendix A)

 The completed painting is now in the collection of the Mildura Arts Centre in  Victoria, Australia. 3

The painting was  donated in February 1952. The work  appears to have been previously owned  by  T. & R.  Annan Ltd , Photographers and Fine  Art Dealers of 518 Sauchiehall Street ,Glasgow.  According to a letter  dated  21  January 1952  from  Thomas Craig Annan, one of the directors of the firm, to Dr Tom Honeyman ,the Director of Glasgow Museums, a ‘visitor’ had approached him wanting to know if  Dr Honeyman would be interested in the painting if it was presented to Glasgow Corporation and if it might then be loaned to Glasgow School of Art for the students to study. Apparently some of the instructors at GSA had praised the work and had sent students to  the Annan   Gallery to study the work. The visitor referred to was probably Gilbert J Innes or his representative as the work was presented by Gilbert  to Glasgow Museums the following month. There is no information at this date that the painting was loaned to Glasgow School of Art at any time .4

Figure 2 Sowing New Seed c 1913  by Sir William Newenham Montague Orpen (see Appendix B)

By kind permission of the Mildura Art Centre Collection

Senator RD Elliott Bequest. Presented to the City of Mildura by Mrs Hilda Elliot 1956

Donor.  Gilbert James Innes (1888-1971)

1888-1914

Gilbert James Innes was born on  5 April  1888 at 24 Oakfield Terrace ,Hillhead in Glasgow. His father was Gilbert Innes ,a draper and warehouseman, and his mother was Margaret Richmond .5 Gilbert was the eldest of four boys . John Richmond was born in 1891, Frederick in 1892 and Thomas in 1894.6 Frederick had a twin sister Margaret who sadly died of whooping cough when eight weeks old .7 By 1901 the family were living at 27 Hamilton Drive in Partick and employed two servants .8 All the Innes boys attended Glasgow Academy ,a private school for boys  near Kelvinbridge  in Glasgow’s West End. Gilbert was in the  Latin Class and attended the school from 1898 to 1904 when he left  aged sixteen .9 Gilbert retained a connection to the school  throughout his life. For example he was an Honorary Governor of the Glasgow Academicals War Memorial Trust from 1957 to 1971.10  In 1961 he gave £2000 to the school to provide new laboratory equipment for the school .11

In 1908 Gilbert became a member of the Incorporation of Weavers at Trades House in Glasgow. The Innes family had connections to the weaving industry. His father  ,Gilbert was a draper and his  grandfather, James Innes, was a calico printer and mill manager .12

The family had moved to 16  Kirklee Road in Hillhead by 1911. This remained the family home for many years . Gilbert was twenty-two years old in 1911 and was employed as a clerk in a shipping agency .13 His employer was probably   P Henderson & Company where his uncle, John Innes, had been a partner since 1887. John Innes was  managing director of the company  from 1884 to 1927.14 John Innes was a knowledgeable and wide collector of  art. He was especially known for as a collector of prints. In the 1920s  he presented over 170 prints and etchings to Glasgow Art Galleries including works by  Albert Durer, Lucas von Leyden , Rembrandt, Whistler ,Cameron and Boner(see figure 3 ). This donation forms a valued part of the ’black and white ‘ section of Glasgow Art Galleries .It may be that this interest influenced his nephew but this is mere speculation.

© Figure 3 Examples  of etchings CSGCIC  Glasgow Museums and Libraries

Christ Before Pilate by Albrecht Durer(1471-1528) Glasgow Museums Resource Centre PR1920.6aq

                                                                               

Head of a Young Girl by David Young Cameron GMRC 1920.6

                                   

P Henderson & Company had been founded in Glasgow in 1834 by twenty-five year old Patrick Henderson. The company were ship owners, agents and managers. From about 1854 the company began to transport Scottish emigrants to New Zealand in sailing ships and had the contract for  Royal Mail to New Zealand. As there was little cargo to carry back from New Zealand at that time the company ships  began calling regularly at Burma for cargo such as teak to take back to Glasgow. So successful was this venture that to increase the supply of much needed capital more investing partners were taken on in 1860 and formed The Albion Shipping Company Ltd  which  dominated trade with New Zealand and in 1882 pioneered the first refrigerated frozen meat shipment from New Zealand to London  using sailing ships as there were no coaling stations en route at that time.

Figure 4 Poster advertising emigration from Glasgow to Otago, New Zealand.

Figure 4 Poster advertising emigration from Glasgow to Otago, New Zealand.© National Library of New Zealand

In 1865 the opportunity arose to become involved in the Irrawaddy Flotilla Company which operated a ferry service on the Irrawaddy River in Burma. This company was managed by P. Henderson and Company from Glasgow and by the nineteen twenties operated over 600 ferries on the river .16 The  company also started a steamship service between Glasgow, Liverpool and Burma in 1870 which  in 1882 need capital for expansion and amalgamated with  Shaw Savill  and Company becoming Shaw, Savill &Albion Co Ltd. The ships continued to be  managed by P Henderson & Company for whom our donor probably worked after leaving school at sixteen .17

1914-1919

Gilbert and his three brothers all served in the army  during World War One. Gilbert’s service at the beginning of the war is rather confusing as he appears to have originally   enlisted with 9th Battalion Highland Light Infantry as a private but in August 1915 he was transferred to  the 8th Battalion Scottish Rifles(The Cameronians) as a 2nd Lieutenant .18 It appears that these two battalions both served at Hamilton Barracks at the beginning of the war and transfers between battalions were quite common 19, especially if a soldier had previous officer training as Gilbert may have done in the  Glasgow Academy Officer Training Corps which was attached to the 9th Battalion HLI from 1908.20 Gilbert served in Egypt, Palestine and in France between 1916 and 1918. He was wounded in France in July 1918 by which time he was a captain in the 8th Battalion Scottish Rifles. Lt  Colonel J.M. Findlay who was the commanding officer of the 8th Battalion in his book With The Scottish Rifles 1914-1918, writes ,  ‘Innes ,my adjutant, was badly wounded ‘. This was at a battle in  Baigneux  which was fought between 28 July and 4  August 1918.21  Gilbert’s  brother John  was also serving  in the 8th Battalion though John may have ended war as a captain in Royal Engineers .22 All the Innes brothers survived the war.

Post  War Years

 Gilbert was made a partner at P. Henderson and Company in 1920.23 He was principally concerned with the design of ships and later with the passenger side.  He played an active part in the world of shipping becoming a member of several  organisations connected to shipping. For example he was a member of the management committee and later chairman  of The British Corporation Classification Society, later The British Corporation Register of Shipping and Aircraft,  before its absorption by Lloyds Register of Shipping. He was elected as a member of the General  and Technical Committee of Lloyds Register of Shipping 24  and was an underwriter for Lloyds. 25 He served as  honorary treasurer of The Institution of  Engineers and Shipbuilders   in Scotland 26 and also became chairman of the Clyde Lighthouse Trust .27

 At the time of the  1921 census Gilbert was  a boarder staying at Ellerslie, a guesthouse in Cove, a popular holiday destination on the Clyde Coast. Also staying the house were two nurses, one of whom was Dorothy S.Prain .28 We do not know if Gilbert and Dorothy already knew each other or if this is when they first met  but they were married on July 12 1922 in Dundee .29

Dorothy was born in Longforgan , Perthshire on 29 April 1893. Her father was John Prain ,a farmer at the time of her birth. Her mother was Nellie Boyd Scrymegeour .30 Dorothy  attended the High School of Dundee .31 Dorothy’s mother died in 1907 aged only thirty-three 32 and her father married again in 1913.33

 There is no information as to Dorothy’s  activities during WW1  but she  trained to be a nurse at the Western Infirmary in Glasgow and  was registered as a nurse in 1919 so presumably she was undergoing nursing training during the war . 34 Perhaps Dorothy and Gilbert met in the hospital while Gilbert was recuperating from his wounds.

According to the tradition  at that time Dorothy would have given up her nursing career on marriage. The couple lived at 8 Queensburgh Gardens in Hillhead Glasgow after their marriage and on July 15  1928 a daughter Doreen Prain Innes was born. Doreen was born at a private nursing home at 1 Claremont Terrace in Glasgow. 35 There were several nursing homes in Claremont Terrace at that time. 1 Claremont Terrace was run by Henrietta Gunn  who was an experienced nurse and midwife. 36

During the nineteen twenties  Gilbert  travelled abroad several times and spent time in Burma possibly because of P. Henderson &Company’s  connection  with the Irrawaddy Flotilla Company. In March 1928 he and his uncle John Innes travelled to Rangoon in Burma on the  SS Amorapoora and later that year Gilbert and Dorothy travelled to Rangoon on the SS Yoma departing from Liverpool on 26th October 1928.37 Both ships were owned by the Henderson Line. Whether daughter Doreen travelled with them is unknown as she would have been only three months old at the time.

At the end of the decade the Innes family moved to Killearn in Stirlingshire where they built a house called Gartaneaglais .38 The house was designed by a naval architect called Gardener and the garden by J B Wilson. 39

1930-1971                   

Figure 5 Gartaneaglis, Killearn © Killearn Trust

Gilbert  continued to be involved in the shipping industry after the move to Killearn both as a partner in Patrick Henderson  Ltd  and in various shipping  concerns   as well as being an underwriter for Lloyds.  One example in 1953 was his bid to became a major shareholder in the Liverpool Steamship Company. 40

Our donor  appears to have had an interest in charitable activities throughout his life. In 1930 he was elected a member of the Incorporated Glasgow and Stirlingshire and Sons of the Rock Society an organisation founded to help those in need. The annual dinner was held at the Golden Lion Hotel in Stirling. 41

He  was also a founding member of The Killearn Trust which was founded in July 1932  for the ‘promotion and advancement of the welfare and interests of the Parish of Killearn.’ Gilbert is quoted as ‘the moving spirit’ of the Trust and remained its chairman until his death in 1971.42 The activities of the Trust are too numerous to mention here but one of the main activities was to provide housing for those in need in the community. 43

Gilbert was, like his Uncle John, a collector of  art including the Scottish Impressionists. He gave several  paintings from his collection to The Glasgow Academy. 44 He was listed as  a member of the council of the Royal Glasgow Institute of Fine Arts when it met at the Glasgow Art Club in March 1937.45 Gilbert was also a keen photographer. Several local photographs taken by Gilbert were included in the  second edition of  a book about Killearn The Parish of Killearn. 46 As we have seen Gilbert also took an interest in Glasgow School of Art (GSA). He was a member of GSA Board of Governors from 1935 and Vice Chairman from 1941 to 1967. From 1936 to 1949 he was Convenor of the School and Staff Committee  and Honorary Vice President from 1967 to 1972.47

Dorothy Innes also played a part in community activities .To support the war effort during WW2 for example on 2 November 1939 she presided over a meeting of the Killearn Red Cross Society. 48 In May 1942  Mr and Mrs Innes  invited local people  to visit the gardens at Gartaneaglais to view the great show of daffodils, narcissi and flowering shrubs and to give donations to the Women’s Royal Institute (WRI) Comforts Fund for HM Forces. 49 In June 1944 on behalf of the Dumgoyne WRI Mrs Innes granted the use of her kitchen at Gartaneaglais  for the canning of fruit. 50 In December 1945 an advertisement appeared in the Stirling Observer for a Christmas Sale  of toys and fancy goods at Gartaneaglais in aid of the Thanksgiving Fund. 51 These are only a few of many such events.

Participation business and the local community  is a constant theme in our donor’s life. He was a member of the Glasgow Chamber of Commerce and was Convener of the Postal, Telephone and Telegraph Committee in the 1940s. 21 He was  a  member of the Glasgow Western Hospital Board of Management. When a new medical rehabilitation and geriatric hospital opened at  Killearn Hospital in 1957 Gilbert stated, ’Western Hospitals Group, since the inception of the NHS, had been very much in need of the facilities now provided in Killearn’. 53

Gilbert was also involved  in business and commercial education. At some point he became vice-chairman of the Board of Governors of the Glasgow and West of Scotland Commercial College Ltd 54 which had been founded in 1915 and which moved to a new building at 173 Pitt Street in Glasgow in 1934. Among its courses the college offered qualifications in business and commerce, librarianship and secretarial studies and ran the Scottish Hotel School which was based at Ross Hall in Crookston in Glasgow. In 1955 this college became The Scottish College of Commerce.  In 1964 the college joined with the Royal College of Science and Technology in George Street, Glasgow  to form   the new Strathclyde University. In 1975 173 Pitt Street became the headquarters of Strathclyde Police. 55

There is little  further information regarding the Innes family other than  they often spent holidays in Iona for which they had great affection. 56

Daughter Doreen attended St Andrews University and in 1950 graduated with a BSc in Mathematics and Astronomy 57 going on to earn an Honours BSc in 1952.58 She married William Thomas  Foster in 1956.59

It is to be assumed that Gilbert continued his involvement in the various activities described above  as his  contribution to the community and the business world was recognised in the Queen’s Birthday Honours  in 1963 when he was awarded an OBE in June specifically  for his services as chairman of the Glasgow  War Pensions Committee. 60 Gilbert had been involved in this organisation since at least 1937 when he was vice-chairman. 61

Dorothy  Innes died, aged 74  on November 1 1967 of bronchopneumonia while staying in Perth possibly with a cousin A. M Prain who witnessed  the death certificate. 62

Gilbert died on 2 November 1971 aged eighty-three at Cannisburn  Hospital Bearsden of ,’peripheral vascular failure’ and artherosclerosis’. 63

References

1. www.newenglishartclub.co.uk/past-members/william-orpen

2. Leicester Chronicle and Leicestershire Mercury 06/12/1913 p. 2

3.  https://paulineconolly.com/2021/orpens-sowing-newseedof-protest/the

4. Glasgow Museums Resource Centre (GMRC) Object File 2941  

5. www.scotlandspeople.org.uk Statutory  Births .1888

6. as above 1891,1892,1894

7. www.scotlandspeople.org.uk  Statutory Deaths 1894

8. UK Census 1901

9.  https://theglasgowacademyarchive.org.uk

10. MacLeod, Iain The Glasgow Academy. 150 Years.Appendix . p.iii.  The Glasgow Academicals War Memorial Trust 1997

11. Glasgow Herald 30/06/1961 p. 2

12.  www.tradeshouselibrary.org.uk

13. UK Census 1911

14. Laird,Dorothy ,Paddy Henderson: the Story of P .Henderson & Company     1834-1961.  P Henderson &Co 1961.pp.227-8

15. as above p. 156

16. op. cit. Laird p. 113

17. http://www.en.wikipedia.org/wiki/P_Henderson_%26_Company

18. Army Lists. Monthly  Supplement  September 1915

19. https://www.longlongtrail.co.uk>regiments-and-corps

20. op. cit.   MacLeod.  p. 64

21. Findlay,Colonel J.M. With The Scottish Rifles 1914-18 .  Blackie & Sons 1926. p.169

22. Army Lists. Monthly Supplement September 1917

23. op. cit. Laird p. 184

24. Times 11/04/1949 p. 8

25. Liverpool  Echo 30/11/1958 p.5

26. Dundee Evening Telegraph 05/04/1939 p. 6

27. op. cit.   Laird  p. 184

28. UK Census 1921

29. www.scotlandspeople.org .uk Statutory Marriages 1922

30. www.scotlandspeople.org.uk Statutory Births 1893

31. Dundee Courier 27/06 1908 p. 8

32. www.scotlandspeople.org.uk Statutory Deaths 1907

33. www.scotlandspeople.or.uk Statutory Marriages 1913

34. www.ancestry.co uk  UK and Ireland Nursing Register.Royal College of Nursing  1898-1968

35. www.scotlandspeople.org.uk Statutory Births 1928

36. www.ancestry.co.uk Midwives Register 1904-1957

37. www.ancestry.co.uk Passenger Lists  1890-1960

38. Glass, Fiona (editor)The Parish of Killearn :the Village and its History. 3rd edition  The Killearn Trust 2009.p.151

39. as above

40. Birmingham Post 22/10/1953 p. 9

41. Falkirk Herald 25/01/1930 p. 6

42. Wilson, Andrew (editor) The Parish of Killearn.   2nd edition 1988 .The Killearn Trust .p. 146

43. as above

44. Killearn Trust . heritage@kcfc.co.uk

45. Scotsman 24/03/1937 p. 11

46. op. cit. ref 42 pp 40-41

47. archives@gsa.ac.uk

48. Stirling Observer 02/11/1939 p. 4

49. Stirling Observer 07/05 1942 p. 4

50. Stirling Observer 29/06/1944  p.4

51. Stirling Observer 13/12/1945 p. 4

52. Courier and Advertiser 20/03/1947 p. 3

53. Edinburgh Evening News 16/02/1957 p. 5

54. Scotsman 02/07/1955 p. 3

55. http://www.theglasgowstory.com

56. op. cit. ref 38 p. 151

57. St Andrews Citizen 17/06/1950 p. 3

58. Scotsman 05/07/1952 p. 3

59. www.scotlandspeople.org.uk Statutory Marriages 1956.

60. Daily Record 08/06/1963 p. 9

61. Scotsman 11/10/1937 p. 11

62. www.scotlandspeople.org.uk Statutory Deaths 1967

63. as above 1972

Appendix A The Painting

Our study is of the naked female on the left of the full  painting. The inspiration for the completed painting was reported  to be a reaction to Orpen’s anger  that at that time in Ireland government grants for art and education

 came from Whitehall under the direction of the Irish Board of Agriculture. Orpen was horrified by this situation which he thought was bizarre and furious that agriculture received far more funding than art. His painting is thought to  mock the attitudes of the government using allegorical figures. The nude female(our study) represented the sowing of new ,more progressive ideas while the naked  children appear as the offspring of this intellectual enlightenment. The peasant couple on the right and the ramshackle farmhouse with the pig-pen to the left  signified the Board of Agriculture’s awkward attitude towards art and culture.

Appendix B  The Artist

William Newenham Montague Orpen (1878-1932)

William Orpen was born in Stillorgan ,County Dublin and studied at the Dublin Metropolitan School of Fine Art for six years from the age of thirteen. He won every major prize including the British Isles Gold Medal for life drawing. He then moved to London and studied at the Slade School from 1897 to 1899. He had a private teaching studio in Chelsea along with Augustus John ,a fellow Slade graduate. He split his time between Dublin and London and built a lucrative reputation  painting society portraits as well as group portraits known as ‘conversation pieces’  for example The Café Royal in London (1912).During WW1 he was a war artist based mainly in Amiens, travelling to the  Somme in April 1917. He painted portraits of Douglas  Haig and Sir Hugh Trenchard, commander of the Royal flying Corps. He continued to be successful after the war exhibiting at the New English Art Club and The Royal Academy .Orpen also had connections to Glasgow School of Art. During the  1914 to 1915 academic year Orpen was an assessor for diplomas, scholarships and bursaries (Drawing and Painting) and one of the judges for the Haldane Travelling Scholarships.

Acknowledgements

I would like to offer many  thanks to the following people for their help in the research for this report:

Jillian  Peterson of the Mildura Arts Centre ,Victoria, Australia

Fiona Glass ,a member of the Innes family and editor of the 3rd edition of The Parish of Killearn.

Gill Smith of the Killearn Trust

J.M.M.

Charles Heath Wilson

Courtesy of Glasgow Museums

This portrait was donated in June 1915 by his son, William Heath Wilson, artist, in memory of all that his father had  contributed to the teaching of art in the city of Glasgow.

The artist was Sir John Watson Gordon (1788-1864) who was a successful portrait painter of the artists, literati and intellectuals of his day.(1) He was a founding member of the Royal Scottish Academy in 1826.

William Heath Wilson

William was his father’s fourth child and the only son of his second wife, Johanna Catherine, daughter of William John Thomson, himself a portrait painter. He was also the grandson of the artist Andrew Wilson.

He was born in Edinburgh in 1849 and lived in the United Kingdom until 1868 when the family moved to Florence, Italy, and he was still living there in the 1870’s and 1880’s.(2)

He was taught to paint by his father at Glasgow School of Art and specialised in genre scenes and landscape painting, mostly in oil and mostly on a small scale. He painted in the Impressionist Style. His paintings are of Scotland, Italy, London and Cairo. Ten of his works are  in the Glasgow Museums’ collection in Glasgow Museums Resource Centre at Nitshill.

In 1881 he married Isabella Clements who had been born in 1853.

He used to travel to London every year between 1884 and 1899 to exhibit his work at the Royal Academy, London.

His work was, and continues to be, very popular, and frequently appears for sale in Auction Houses, including Christies. Prices for his works are also increasing.(3) An auction of the contents of Hopton Hall, Worksworth in 1989 saw four of his paintings sold there.(4)

Charles Heath Wilson  ‘Missionary Of Art’

Charles was not a donor of paintings to Glasgow Museums although there are some of his works in their collections. He is, however, one of the most important figures in the history of Fine Arts in Glasgow.

He was born in September 1809 in London, the eldest son of Andrew Wilson, landscape painter and art importer, and Master of the Trustees Academy from 1818-1826. He trained for a short period with Alexander Naysmith and worked in London, and was friends with David Wilkie.(5)

Charles studied painting with his father and accompanied him to Italy in 1826, where he studied ancient architectural ornament. He stayed there until 1833, when he returned to Edinburgh, where he practised as an architect, and taught ornament and design in the School of Art. (6)

The 1841 census has him living in Woodhill Cottage, Corstorphine with his wife and daughter.(7)

His pictorial work was principally in watercolour and one of his paintings is in the National Gallery of Scotland – a fine watercolour of Florence and the Arno. He gave several works to Glasgow University in 1869. He was also an expert on  Fresco Painting.

In 1835 he was elected ARSA but he did not not exhibit after 1842, which resulted in his resignation in 1858.

He was interested in stained glass and spent 10 years re-glazing Glasgow Cathedral, working with the Board of Trade, and using panels made in Munich. This caused considerable controversy with those who thought that the glass should come from elsewhere but he did have the support of such people as the Duke of Hamilton and Sir John Maxwell of Pollock.(8)

He was twice married – firstly to Louisa Orr, daughter of the surgeon John Orr, in 1838; and secondly, in 1848, to Johanna Catherine, daughter of William John Thomson, the portrait painter. Altogether he had two sons and three daughters.

He was passionately interested in education. Between 1837 and 1843 he was Head of the Department of Design at Edinburgh Trustees Academy. In 1840 he visited the Continent and reported to the Government on Fresco Painting. Between 1843 and 1848 he became Director of the Government Schools of Design at Somerset House in London. It was in this capacity that he co-founded, together with John Mossman and others, the world renowned Glasgow School of Art (then known as the Glasgow School of Design).(9)

 In 1849 he moved to Glasgow and lived at 29 St. Vincent Place. He was appointed Headmaster of the Government School of Design in Glasgow, which  was housed at 116, Ingram Street. The school was immediately oversubscribed and additional space was purchased in Montrose Street.(10)

In 1853, with the creation of the Science and Art Departments, it became the School of Art. While Headmaster, Wilson made many changes to the school. He introduced life classes and set up a mechanical and architectural drawing class. He taught a class on practical geometry and superintended the advanced class. The courses of study were modified to retain established designers and pattern drawers in the school. He worked closely with the Mossman Brothers who were teaching many of the sculptors and carvers who produced the bulk of the city’s architectural sculpture and monuments in the Glasgow Necropolis and who studied their craft at evening classes in Ingram Street.

Wilson was also involved with the creation of another of the city’s great institutions, the McLellan Galleries whose treasures formed the nucleus of Glasgow’s civic art collection in 1856.

He continued with painting and architecture and was involved in several commissions and competition designs. In 1855, along with the Mossmans, he designed the monument to Henry Monteith of Carstairs in the Necropolis.(11)

In the 1861 census he was living at 286 Bath Street. (12)

In 1864 the Board of Trade masterships were suppressed and Wilson was pensioned off, although his involvement with the School of Art continued for a few more years. He became an Honorary Director of the School of Art and one of the trustees of the Haldane Academy. He gave evidence to several House of Commons Select Committees and prepared a Report for the Commission on the Design of the National Gallery.(13)

After leaving the Art School, he returned to full-time practice as an architect in 1864, opening an office at 29 St. Vincent Place, and formed a partnership with a former pupil, David Thomson.(14)

One of their projects was the monument to John Graham Gilbert in the Glasgow Necropolis, designed in 1867. In the same year they redesigned the interior of the Maclellan Galleries, converting part of the building into a picture gallery for Glasgow Corporation. They made alterations to the stables at Pollok House and rebuilt Duntreath Castle, Strathblane in 1864. These are just some of a long list of commissions and designs worked on by the partnership.(15)

In 1868 he inherited a large sum of money and in 1869 he and his family went to live in Italy. He never returned to Scotland.(16)

He spent his last years in Florence, where he was at the centre of a large circle of artists and writers. He wrote a book entitled Life of Michaelangelo Buonarotti in 1876 and he also illustrated some books for which he was awarded the cross of the ‘Corona d’Italia ‘ by Victor Emmanuel.(17)

He died in Florence in 1882.

Almost every member of his family inherited his artistic capability, the most well-known being his son, William, the donor of the painting.

In 2000 Wilson was the subject of an exhibition of his life and work held at Glasgow School of Art and entitled Missionary of Art: Charles Heath Wilson 1809-1882. This was accompanied by the publication of the book Missionary of Art(ed: Rawson) which contains the above portrait and is lavishly illustrated with examples of his paintings and designs. He is remembered chiefly as ‘one of the most important contributors to (the city’s) art scene that Glasgow has witnessed’.(18)

References

  1. Harris, Paul and Julian Halsby. The Dictionary of Scottish Painters 1600 to the Present. Canongate Books. 2001. ISBN 1 84195 150 1
  2. Ibid
  3. www.artnet.com
  4. www.worksworth.org.
  5. Harris, Paul and Julian Halsby. The Dictionary of Scottish Painters 1600 to the Present. Canongate Books. 2001. ISBN 1 84195 150 1.uk
  6. http:/en Wikipedia.org/wiki/Charles_Heath_Wilson
  7. https://scotlandspeople.gov.uk
  8. http://www.glasgowsculpture.com/pg biography.php?sub=wilson ch
  9. Ibid
  10. http://www.gashe.ac.uk:443/isaar/PO168.html
  11. http://www.glasgo.php?sub=wilsonwsculpture.com/pg biography.php?sub=wilson
  12. https://www.scotlandspeople.gov.uk
  13. http://www.gashe.ac.uk:isaar/PO168.html
  14. http://en Wikipedia.org/wiki/Charles_Heath_Wilson
  15. http://www.glasgowsculpture.com/pg biography.php?sub=wilson
  16. http://www.gashe.ac.uk:443/isaar/PO168.html
  17. http://www.glasgowsculpture.com/pg biography.php?sub=wilson ch
  18. Rawson, George (Ed). Charles Heath Wilson, 1809-1882. Foulis Press of Glasgow School of Art

Jessie McInnes nee McEwan (1874 – 1957)

Mrs Jessie McInnes donated The Star Ridge with the King’s Peak by Paul Cezanne to Glasgow in 1951.

Fig. 1 The Star Ridge with the King’s Peak, Paul Cezanne (1839 – 1906)
 © CSG GIC Glasgow Museums/ArtUK. Accession Number 2932

The painting was bought by Glasgow collector William McInnes from Alexander Reid and Lefevre in 1942 in what turned out to be to his final purchase. The painting then passed to his son Thomas and then to Thomas’s widow Jessie.

Jessie McEwan was born on 27 September 1874 at 13 Cedar Street in the Hillhead district of Glasgow. She was the daughter of Thomas McEwan a journeyman baker and his wife Jessie Ewing who had married on 15 November 1867 in Milton, Glasgow. Jessie’s mother registered the birth. 1 By the 1881 census, the family had moved to 31 Crossburn Street, Milton. 2 Ten years later, Jessie was employed as a stationer’s assistant still living at 31 Crossburn Street with her parents and seven siblings. 3

On 5 July 1899 at 30 Berkeley Terrace, Glasgow, Jessie married Thomas Macdonald McInnes a draughtsman and a younger brother of William McInnes (qv) who was a witness at the ceremony. The other witness was Jessie’s sister Nellie. 4 The couple took up residence at 40 Nithsdale Drive, Strathbungo, Glasgow. Jessie was described as a ‘sanitary engineer draughtsman’s wife’. 5 By the time of the next census, Thomas and Jessie had moved to 74 Norham Street, Shawlands, Glasgow. 6 Thomas McInnes died at 17 Darnley Gardens, Glasgow in 1951 aged 79. He was a retired sanitary engineer. Jessie reported his death. 7

Jessie Ewing McInnes died on 21 January 1957 at 17 Darnley Gardens, Glasgow. She was 83. Her death was reported by her niece, Jessie Chase. 8

References

  1. Scotland’s People, Birth Certificate
  2. ancestry.co.uk, Scotland Census, 1881
  3. ancestry.co.uk, Scotland Census, 1891
  4. Scotland’s People, Marriage Certificate
  5. ancestry.co.uk, Scotland Census, 1901
  6. ancestry.co.uk, Scotland Census, 1911
  7. Scotland’s People, Death Certificate
  8. Ibid